The physical appearance of organ reminded Zimmer of spaceship afterburners, while the airiness of its sound evoked the reminder that every breath is precious for an astronaut. įor the film's signature organ, Zimmer specifically requested that organist Roger Sayer, the music director of Temple Church in London, play the church's 1926 four-manual Harrison & Harrison organ. The piece can be heard at the conclusion of the film. However, Nolan reassured Zimmer that the piano piece provided "the heart" of the film.
Zimmer was originally skeptical, noting that he had written a "tiny, tiny little fragile" piece while Nolan had described an intense, epic space film. When he played it for Nolan, Nolan was pleased and explained the full plot and concept of the film, though it had not yet been written. In one night, Zimmer wrote a four-minute piano and organ piece that represented his idea of fatherhood. Christopher Nolan, on the Interstellar score composition process with Hans Zimmer
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